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Inhaltsverzeichnis

Seite 2 - Contents

The Destiny v2’s Filter 87The controls labelled 5 - 9 control modulation of the filter cut-off: Switch (4) - Select between modulation sources; Sample

Seite 3

The Destiny v2’s envelopesThe Destiny v2 has two ADSR type envelopes. Envelopes are triggered when a key is depressed; from this point the output of t

Seite 4 - General features

The Destiny v2 has two envelopes, both triggered simultaneously by depressing a key. The output of these envelopescan be assigned to various parts of

Seite 5 - 4 Getting Started

8 Normally, the envelopes are triggered by key presses, but using switches (1) & (2) you can set up each envelope to be automatically triggered a

Seite 6

At extreme settings, the peak of an Destiny v2 envelope can be so snappy that it becomes important to co-ordinatethe attack times of the two envelopes

Seite 7 - The Destiny v2’s oscillators

Low Frequency OscillatorJust like the Destiny v2’s main oscillators, the low frequency oscillator (LFO) creates waveforms. Unlike the main oscillators

Seite 8 - OSCILLATOR MODULATION

Mixer SectionMuch of the routing performed on the Destiny v2 is achieved using the mixer section, shown here: Use sliders (2)&(3) to mix the out

Seite 10 - The Destiny v2’s Filter

The Destiny v2 control panel provides all you need to effectively control the synthesizer. Here, you will finda noise source selector, test tone faci

Seite 11 - The Destiny v2’s envelopes

18 Control Panel Patch menus:Click on the white button labelled ’Patch ‘ in order to select a patch. Note that if you make alterations to a particular

Seite 12

Contents Getting Started Introduction...3Installation...

Seite 13 - AUTO REPEAT

Continuous Control & Midi Learn Right click on any switch or knob to bring up a menu which will allow you to either manually assign

Seite 15 - Low Frequency Oscillator

Frequencyintensity (volume)The basics... You may think of a synthesizer filter as being rather like a single ‘tone’ control that you might find o

Seite 16 - Mixer Section

8 Frequency and Waveforms...a little bit of magic!It just so happens that sound waves don’t like to propagate through air in any form

Seite 17

When an equalizer (EQ) or filter is applied to a sound, it is adjusting the relative balance of the component sine waves in that sound. A sound which

Seite 18 - Vibrato LFO (LFO 2)

TROUBLESHOOTING & KNOWN ISSUES These issues apply to Destiny v2 version 1.1 and may be resolved in subsequent versions. D

Seite 19 - Patch menus

CREDITS We would like to thank the following contributors: Jeff McClintock. David Haupt, Daz Disley, Rob Herder, Rick Jelliffe, Christian-W. Bud

Seite 21

Other Manx Instruments:Bit 100 v2 MM-2 XS-4 Destiny v2 Gigmate v2 http://www.manxsynthesizers.com/Copyright 2015 Manx SynthesizersThank you for sup

Seite 23

2 Introduction Congratulations on acquiring the Manx Destiny v2 synthesizer. The Destiny is inspired by a real vintage analog synth,a splendid

Seite 24 - Destiny v2 filter

Installation Please extract the contents of your downloaded

Seite 26 - Appendix Three

The Destiny v2’s oscillatorsThe Destiny v2 features two fully loaded oscillators; you can control the pitch of each, from the oscillator panel shown a

Seite 27

7 Programming -Oscillators3( OSC SYNC CONTINUED ) The important characteristic of oscillator synchronising is that changing oscillator 2’s pitch will

Seite 28 - Thank you for

Pulse Width Modulation Both of the Destiny v2’s oscillators output pulse waves, which looks like this: The pulse waves have a feature which the sawt

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